Industry Ed with Richard: Beaded, Shiplap, Flush, and Chamfered Boards

Today, I thought it would be a good idea to talk about the different types of wood plank paneling clients are requesting in their homes. Joanna and Chip Gaines of Fixer Upper are largely responsible for the current popularity of wood plank paneling, although it has existed for many years. There are four main types of paneling that I use, each with their own distinctive look: beaded board, shiplap, flush board, and chamfered board. Knowing more about each one can help you and your client get the look they want.

Beaded Board

• tongue-in-groove boards that lock together with a male/female joint
• have a distinctive appearance that was very popular in the early 1900s
• vary in width, but usually come in 2", 4", 6", and 8" widths

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Richard's Note: 

This option was used plenty before the invention of sheet goods such as plywood and drywall. It can look nice, but it can also look very busy. I use it sparingly in my projects.

Shiplap 

• currently, the most popular plank paneling option 
• joints overlap opposite joints
• easy to install  
• mainly 6" width, but come in 4" and 8" available as well 

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Richard's Note: 

This look is really popular right now and can look good, but it has the potential to be rough-looking, since the ends do not lock together like with tongue-in-groove applications. However, that also might be the look you're trying to achieve. Its just something to keep in mind.

Flush Board 

• tongue-in-groove, like beaded boards, but have no beads
• creates a smooth, clean appearance 
• spacers can be added to break up the appearance

From our French Quarter project. See more pictures on Houzz.

Richard's Note: 

Gives you a great look with a clean application since the ends lock together. This is my favorite of the paneling options, and, the wider, the better. Flush board on a ceiling or horizontal on a wall is an outstanding look that will never go out of style.

Chamfered Board

• tongue-in-groove boards with chamfers (angled cuts) 
• create a V-groove after application 
• come in 4", 6", 8", 10," and 12" widths

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Richard's Note: 

These look very similar to flush board, but they have a chamfer on each edge. It is a very good look, but it sometimes adds detail that may be very busy for some of us.

As we see on Fixer Upper with Chip and Joanna Gaines, wood plank paneling is very popular. Many of these boards are reclaimed or reshaped from reclaimed materials, which have great character. The old patina looks very nice and works well with several different aesthetics.

If you or your client decide to go with real wood, you should expect some shrinking, warping, or cupping over the years. This can add character, but it can also create an unsightly finish. Engineered products are now being used that have great stability.

That being said, wood is still the most popular choice in this application. And stained woods can look very good as paneling. Let's not forget the beauty of wood.

Rug Sizes, Placements, & Positions

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The toughest part of picking a rug is figuring out the size you need. There are a few conventional rules that most people follow. It is important to consider the scale of your room and the placement of furniture around the rug. When in doubt, a great rule of thumb is bigger is better. World Market's Blog has a couple of useful diagrams that can help you visualize size and placement: 

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Starting from there, you can further your space with a good use of all design elements: balance, unity/harmony, scale, color, texture, space, and form. A combination of these will create the ultimate balanced and harmonic space.

When considering a rug, it is perfectly fine to break away from convention. Just consider the design elements. The color, pattern, and texture can affect the presence the rug has in a room. A bolder rug may actually feel larger than it actually is, if paired with cleaner lines and design elements. If the rug is more monochromatic, you will probably need a much larger rug to make it feel big enough for the space. In short, visual weight is more important than actual size.

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When picking a pattern or color or texture, consider the other objects in the room and how the rug will contribute to the design elements. Contrast is always good. A lighter shade rug works with dark walls and vice versa. If you are missing some texture or color in your room, your rug is a good way to add it.

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As humans, we have a need to find order. You might think straight is orderly, but the rug above demonstrates otherwise. Balance is not always created with symmetry. We are loving the way this rug is turned "crooked". It's bold color and adventurous position provide a powerful draw to to this room.

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Love a rug, but know it just isn't big enough for your room? Not to worry - just layer up! This is a great way to incorporate more texture or color.

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One convention that we are often afraid to break away from is using a round rug with something other than a round table. It is possible. The scale of this rug works great with the furniture and layout of the room, as well as the colors!

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Smaller rugs are great for grouping areas of a room. In the above example, the designer created a visual space for this dining set. She also layered rugs with different textures and patterns for great contrast. Need more inspiration? See rug examples that help balance each space, broken up by rooms:

1. Foyer

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 This foyer has a great use of contrast as well as complimentary colors. See our past blog on use of Complimentary Colors!

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This rug adds a fantastic directional pattern. (That puppy though!)  Read more from a past blog on Foyers that Make an Impression!

2. Kitchen

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3. Dining

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Check out that table! Our Trend Alert this month is Live Edge Wood. Be sure to read all about it!

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4. Living

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4. Bedroom

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We love this placement of a bedroom rug! Instead of centering it to the bed itself, let it flank the bed.

5. Bathroom

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Mid-Century What?

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I’m sure you've heard of “mid-century modern,” but do you know how to properly distinguish this style from others? This movement is having a big moment. Thanks to its sleek lines and eco-friendly aesthetic, designers and decorators today are once again embracing the aesthetic.

The mid-century modern aesthetic formed between the 1930s and the mid-1960s. The style grew in the United States through inspiration from styles prior, such as the International style in Germany. With its embodiment of elements of functionality, minimalism, elegance, and traditional and non-traditional styles, it was a hit across the nation. Cara Greenburg, author of Midcentury Modern: Furniture of the 1950s, is credited with giving a name to the trend in the late 1980s, when there was a resurgence of interest in the style.

Mid-century modernism gave birth to many designs that you're probably familiar with but might not know by name. The most famous example is the Eameses of the "Eames Chair" fame. This was a lounger / ottoman chair set that "revolutionized" the chair industry. The chair has replicators to this day.

The version of mid-century modernism (modern mid-century modernism?) we often see today is a little different from its true mid-century roots. Today's movement is environmentally-friendly, promoting the use of recycled materials such as metal, glass, vinyl, and plywood.

And a key part in the furniture design that distinguishes it from other styles are “pin legs,” the thin, straight legs seen in some of the images below. 

The mid-century modern style offers a clean, fun and exciting aspect to any design!

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